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Faits des Romains : ウィキペディア英語版
Faits des Romains

The ''Faits des Romains'' (''Li Fet des Romains''; Acts of the Romans) is a Medieval work of prose written in Old French, composed in the Île-de-France, or by a native of that region, around 1213–14.〔Gabrielle M. Spiegel, ''Romancing the Past: The Rise of Vernacular Prose Historiography in Thirteenth-Century France'', New historicism 23, Berkeley: University of California, 1993, ISBN 9780520077102, (p. 13 ).〕〔Catherine Croizy-Naquet, "L'''Histoire ancienne jusqu'à César'', les ''Faits des Romains'': Entre sermon et chronique, entre histoire et roman", in ''Textes et cultures: réception, modèles, interférences'', ed. Pierre Nobel, volume 1 ''Réception de l'Antiquité'', Journées d'étude du programme pluriformation Formes, langages et identités dans les sociétés multiculturelles 2.1, Besançon: Presses universitaires de Franche-Comté, 2004, ISBN 9782848670676, pp. 103–18, (p. 104 ) 〕 It chronicles the life of Julius Caesar.〔The beginning of the text announces that there will be twelve books, dedicated to the twelve Caesars, from the birth of Julius Caesar to the death of Domitian; but the work as we have it ends with Caesar's death.〕
==Details==
It is primarily a compilation from the works of four Roman writers: Caesar himself, Lucan, Suetonius and Sallust.〔Catherine Croizy-Naquet, (p. 105 ).〕 It is the first biography wholly dedicated to the Roman leader in the vernacular;〔Spiegel, (p. 118 ).〕 the historical text also uses literary techniques borrowed from the romance or the chanson de geste.
The anonymous compiler and translator sometimes borrowed the full texts of other works, such as Sallust's ''De coniuratione Catilinae'' or Caesar's ''Commentarii de Bello Gallico'', for which the ''Faits'' are the first translations into French. He followed his Latin models step by step while constantly adapting the text to the civilisation of his time. In the case of the ''Commentarii de Bello Gallico'', like other medieval writers he incorrectly attributes it not to Caesar himself but to a grammarian, Julius Celsus Constantinus.〔Croizy-Naquet, (p. 110 ).〕 In his account of the civil war, he followed not Caesar's work, but Lucan's epic poem ''Pharsalia''. Unlike, for example, the author of the contemporary ''Histoire ancienne jusqu'à César'', he renders all the material in consistently styled prose.〔Croizy-Naquet, (p. 112 ).〕
==Reception==
The ''Faits des Romains'' was the most popular of several contemporary Old French works of primarily Roman history;〔 beginning in the 14th century, it was a popular manuscript commission,〔Jaroslav Folda, ''Crusader Art in the Holy Land, From the Third Crusade to the Fall of Acre, 1187–1291'', Cambridge/New York: Cambridge University, 2005, ISBN 9780521835831, (p. 429 ).〕 and it remained popular until the end of the Middle Ages. The work was copied to more than fifty manuscripts, many illuminated.〔Ten illuminated manuscripts are in the holdings of the French National Library in Paris; the illustrations of three of them are reproduced in the library's Mandragore online database.〕 Notably, around 1470, Jean Fouquet painted the miniatures of a now dismembered manuscript, of which five sheets are currently held in the Louvre.〔(RF 4143, recto ); (RF 5271, recto ); (RF 29493, recto ); (RF 29494, recto ).〕
The text was translated into Italian in the 13th century and into Portuguese in the 15th century, before 1466, as ''Vida e feitos di Julio Cesar''.〔Maria Helena Mateus, ed., ''Vida e Feitos de Júlio César. Edição crítica da tradução portuguesa quatrocentista de 'Li fet des romains''', Lisbon: Fundação Calouste Gulbenkian, 1970, 〕
Medieval French authors who wrote about Caesar do not refer to the original Latin texts but to the ''Faits des Romains'', and the text is thus the origin of Caesar's exceptional popularity in aristocratic circles throughout the Middle Ages.
The author portrays Caesar in more or less medieval terms,〔Croizy-Naquet, (p. 109 ).〕 and focusses on the threat to liberty represented by his power, and on the fight of the Gauls under Vercingetorix for liberty from the Romans; he links the two by relating Caesar's fall to his conquest of Gaul; the text can thus be seen as an allegory of contemporary issues of the aristocratic struggle against the power of the crown.〔Spiegel, (pp. 129 ), (144 ), (164–65 ), (151 ).〕

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